Topic: Judging Guide

Film Festival Judging Guide: Action Category

By Mikel Fair

Judging Guide: Action Film Category

Written by Mikel Fair. Updated 11-09-20

Have you ever wondered what criteria is used by film festivals to judge the Action Film and Action Micro Film Category? Our process for selecting action packed films is pretty straight forward. Looking for top film festivals with an Action Film Category? The following list of events that are operated by Film Festival Circuit, use the same criteria to rate and judge this submission category.

We Started Out With A Comedy Film Festival Years Ago

When my wife Brooke and I started the Houston Comedy Film Festival in 2008, there weren’t many resources available that would clearly explain the judging process. Our goal was to create a system that would eventually screen the funniest submissions at our event. We set out to select films that had the funniest situations, the best pacing, the best acting, and a level of production value that would screen well, in a commercial movie theater. Today, we use these similar principles for our other film festival events.

Action Film Category Description

This category is reserved for films with intense action, fighting, chase scenes, driving sequences, acrobatics, gun fights, martial arts, dangerous situations, or some element that fuels the audience with adrenaline. The judges are looking for tense moments, strong editing, great cinematography and good sound design.

We Want Action Films With Energy

We are looking for Action Films that flood the viewer with adrenaline and energy. The edit, stunts, timing, sound effects, camera work and story situations should get the viewer excited about what is happening. The entire film does not have to be action packed from beginning to end, but if you’re submitting to this category, it’s because your film has an Action Sequence that is one of the creative cornerstones of your film. We are also looking for good acting and a level of production value that will screen well in a commercial movie theater.

Our Film Festival Judging Process in 3 Rounds

We have three rounds of judging for each film and screenplay submission of all genres. Each film is viewed and scored by 12 different judges. Furthermore, each judge is blind to the other judges ratings in the first round. The overall score of each film is an average score of a 1-10 star system. The top 33% of films from the first round advance to the 2nd round of consideration. The 2nd round is a technical evaluation of the film. The last round is the final round of overall consideration where the judges reach a consensus about which films will screen in the time available for the festival event. Continue reading for more details about each round.

Round 1: Universal Questions For All Films Of All Genres

  • Was there anything about this film that you really liked? (Limit 5 sentences)
  • Are there things about this film that you really did not like? (Limit 5 sentences)
  • Be honest, was this film boring to you? (Yes or No)
  • On a scale of 1-10, please rate the acting?
  • Were the characters/actors believable? (Limit 5 sentences)
  • Is there anything about the music or sound effects that really stood out? (Limit 5 Sentences)

Round 1: Action Film Specific Judging Rating (1-10)

  • 9-10 - A very exciting film that I personally liked a lot and think that other people will enjoy. I can't wait to tell my friends about this one!
  • 7-8 - A good action film that I enjoyed.
  • 5-6 - It was OK. It didn't really blow me away. No intense scenes
  • 3-4 - There are some problems here and the film just doesn’t have any excitement.
  • 1-2 - Nothing about this film is exciting and it is not ready to screen at a film festival.

Round 2: Technical Film Review

The top 33% of films advance to the 2nd round of consideration based on their average rating in the 1st round. Please keep in mind that we screen films on giant commercial theater screens in high definition with great sound systems. We cannot play films that are filled with technical problems, no matter how good they are. If time permits, I will email the submitter of a film if they had a great score in the 1st Round, but their film has technical issues. This gives the film submitter an opportunity to update the film (if time permits.) We do not want to create financial stress for filmmakers, but sometimes we bring these things to their attention ahead of time. We've had plenty of success stories, where filmmakers just needed to re-render the film and update it.  All of the films in the 2nd round are assigned a “Flag” based on technical aspects of the film. The flags are for internal use only and the filmmakers do not see them.

Green, Yellow And Red Flags: What Do They Mean?

Green Flag: Clean Audio, clear picture & well paced edit.

Yellow Flag: Some problems with audio, picture or edit, that may result in a negative screening experience for the audience if it isn't updated.

Red Flag: This film has two or more technical problems that eliminate it completely from consideration. Examples: Inaudible words. Clipping sound effects or dialogue. Dark and grainy footage that looks bad on a large screen. Glitches in the edit (media offline.) Visual problems extreme brightness or “blown out” footage for no creative reason. Missing words or bad dialogue sync. Subtitles are too fast or too small. We’ve encountered other problems, but if the film has a red flag, there is usually a very big problem.

Round 3: The Final Selection Process

The 3rd and final round is considered our deliberation round. All judge’s comments and ratings are unlocked so that the other judges can see them. The 12 judges re-watch all of the Green flagged films from the 2nd round. The judges are free to edit their ratings based on their 2nd impression of the film and may consider some of the other comments about the film as well. We have spirited discussions on Google Meet or Zoom about our favorite films and discuss the pros and cons of each. Then, on the night before notification day, I (the film festival director) select the top films based on the judges average ratings and our total screening time. Then I announce the “official selections” to the public. The “official selections” are all of the films that will be invited to screen at the event.

FAQ: Action Film Festival Judging Process

Few film festivals explain their judging process online. After traveling to several film festivals across the country, I noticed that it is pretty rare to meet any of the judges at the events as well. Why is this process so mysterious? At every single film festival event that we have, I’ll sit down with filmmakers and screenwriters and talk for hours about the film industry, film festivals and film production. Eventually the conversation leads to the following questions:

  1. How many judges are there?
  2. Approximately, how many films do you watch?
  3. How many times do you watch each film?
  4. Do you have the same judges for all of your festivals?
  5. Where do the judges come from and how do you find them?
  6. Can the judges vote for their own films and productions?
  7. Do the judges only consider the “star power” of each film?
  8. Do the judges of Horror film festivals really care about production value?
  9. Can I submit to multiple events at and still be fairly judged?
  10. Where Can I Get More Judging Guides and Filmmaker Resources?
  11. How can I network with other filmmakers virtually and make contacts in the film industry?
  12. What is the Film Festival Submitters Handbook?

1) How Many Judges Are There?

We have over 100 registered judges that actively watch films and read screenplays for each of our events. Most of the time, the judges are registered to festivals that are local to their region or state.

2) Approximately, How Many Films Do You Watch?

Personally, I watch about 300 short films per month. It’s a part of my daily routine. I don’t like to watch more than 2 hours of films in a single setting. I use high quality headphones and a 42 inch HD Television to watch films. It’s not exactly the same as watching them in a movie theater, but I don’t feel like watching submissions on my phone or at the gym is the right environment to fully evaluate them. We also have monthly sessions for judges and watch films as a group. It helps, when judging horror films, to be in a group setting. We have scorecards and oftentimes, we stop films to discuss them. Individually, I encourage our judges to watch films on a large screen with good headphones. Many of them like to use their phones and tablets as well. Most judges will watch 4-5 movies per day, pretty consistently. 

3) How Many Times Do You Watch Each Film?

I personally watch every film submitted to every film festival from beginning to end at least once. Even more, I evaluate films for technical issues and award nominations. As a result, I watch some films 3-5 times! Our judges watch as many films as possible in the 1st round, then re-watch films that make it to the final round.

4) Do You Have The Same Judges For All Of Your Festivals?

No, the Action film festival judges are completely separate groups of people. 

5) Where Do The Judges Come From And How Do You Find Them?

We get a lot of our judges from film enthusiasts that email us and want to be a part of the process. We also run ads on craigslist, as well as, meet people through networking. It’s not a requirement to be in the film industry to judge films. We like to have judges that are enthusiastic, consistent and who really enjoy it. It’s easy to “burn out” if you’re not very interested in independent film. Some judges will commit to watching less films, others will binge an entire festival season without blinking.

6) Can The Judges Vote For Their Own Films And Productions?

None of the judges have films that are in the film festival event they are judging.

7) Do The Judges Only Consider The “Star Power” Of Each Film?

No. In an Action film festival, it’s a lot more about having great energy and generating excitement than it is about having “big names.” The event is designed to play back-to-back films that keep people engaged for the entire program. Sometimes, we get films with “big stars” and “known actors” that just aren’t very exciting. “Star Power” is not a part of the judging criteria.

8) Do Action Film Judges Really Care About Production Value?

First of all, really poor production value can hurt a film’s opportunity to screen. Rough dialogue audio is usually the “knockout punch.” At a commercial theater audio flaws can become very distracting. Also, good cinematography and music are appreciated, but the action packed moments take priority. Consequently, we’ve rejected beautiful films that weren’t that very action packed or thrilling and we’ve accepted Smartphone films that are filled with intensity and good direction.

9) Can I Submit My Film To Multiple Film Festivals And Still Be Fairly Judged?

Yes you can, and many filmmakers do. It’s nice to get recognition for your submission, at as many live film festival events as possible. Take advantage of our 20% fee waiver code (LINK) and save money on submission fees to our events.

10) Where Can I Get More Judging Guides and Filmmaker Resources?

11) How can I network with other filmmakers virtually and make contacts in the film industry?

Please join us for our next virtual networking meeting for filmmakers, directors, screenwriters, producers, cast, crew in the film and television industry. Use this link: to access our free events and learn more about our premium webinars. Hosted by me (Mikel Fair) and my long time friend, Hollywood Producer and CEO of Playworld Pictures, William Garcia.

12) What is the Film Festival Submitters Handbook?

It is a downloadable ebook filled with tips and recommendations for filmmakers that are submitting their work to the film festival circuit worldwide. Avoid common costly mistakes that filmmakers are making every day when submitting to festivals. Trust me, I’ve seen thousands of submission forms over the last 12 years. This will be the best $9.99 you’ve ever spent. 

Mikel Fair

Mikel Fair

From 1999-2015 I worked on location in the television and film industry as a location sound mixer, production manager and field producer. I have also worked in post production as an editor, post sound mixer and composer. Today, I am the Director of Film Festival Circuit LLC, a US based company that manages international film festival events in Texas and Oregon. Our team is passionate about showcasing new independent films, videos, series episodes, screenplays and teleplays of all genres.

Topics: Judging Guide

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